The Economics of Curricular Convergence

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By Michael Bugeja, director, Greenlee School, Iowa State University

Several years and re-accreditations have passed since journalism and communication schools began revamping their curricula to incorporate convergence. Given the economic downturn, it is time for curricular re-assessment—this time because of budget cuts. Many programs face two choices: lose courses or lose people.

Accredited journalism and mass communication programs may be suffering more than other academic units because seats in our skills classes and laboratories should be set at 15 and should not exceed 20, according to the Accrediting Council on Education in Journalism and Mass Communications. Moreover, those classes usually must be taken sequentially to meet pre-requisites for students to advance in the degree program. Colleges can demand higher enrollments in disciplines with relatively few majors, or cancel those classes. In our discipline, all that does is extend graduation rates.

There is another specter related to convergence troubling or being overlooked by administrators of journalism and mass communication programs: curricular expansion. A few institutions (to remain nameless) were early adopters, adding a bevy of new media courses to catalogs that, for the most part, focused on technology, software and audio/visual/text presentation. Some schools added a “new media” sequence to their stable of old media ones, especially programs offering Bachelor of Science journalism degrees (BSJ).

Many programs added new media to existing courses. The Greenlee School of Journalism and Communication fell in that last category. In anticipation of a new Ph.D. in science, technology and risk communication, the faculty at the Greenlee School opted to streamline courses and add digital techniques to existing courses such as Fundamentals of Photography taught by Pulitzer Prize-winning journalist Dennis Chamberlin whose syllabus states:

“Photojournalism is a technology-driven medium and has always been very dependent upon advancements made in the photographic industry. In the past few years the computer and digital technology have played an important role in changing the way photojournalists work—and we will focus on improving digital photo skills so that you will be able to move on to the next level if you should choose. These recent changes have changed the profession to the extent that single images printed on paper have become overshadowed by the need for images and multimedia packages for electronic distribution. We will address this. …”

In introducing computer and Internet technologies into photojournalism, we didn’t have to add to our existing curriculum a course such as “Pixel Painting” or “Multimedia Packaging for Photojournalists.” Ours was a flexible curriculum with a relative few core courses such as Reporting and Writing for the Mass Media and Law of Mass Communication. We had emphases, though, in print (newspapers and magazines), electronic media, public relations, science communication and visual communication.

In general, curriculum grows without curtailment. Emphases aspire to be sequences, sequences to majors, majors to departments, departments to schools and schools to colleges. New hires often invent courses to feed research, and promotion and tenure documents usually reward those who add courses to the curriculum in the name of innovation, overlooking those who innovate in existing courses. As a result, curriculum spreads like kudzu through catalogs.

If you’re interested in other ways curriculum grows, read “How to Fight the High Cost of Curricular Glut” in The Chronicle of Higher Education.

Here are ways to streamline curriculum in response to the economic downturn without increasing teaching loads for your faculty:

  1. Restrict enrollment to non-majors in skills classes. Otherwise they take seats in low-enrolled courses, requiring you to add more sections.
  2. Uphold standards such as an English Usage Test or other pre-major or grade requirement to eliminate students unsuited to our disciplines, freeing up seats for those willing to do the work.
  3. Revisit or adjust for articulation agreements with community colleges with easier standards, such as no English Usage Test, allowing students to progress in your program until a graduation check indicates that they still need to fulfill basic requirements, but cannot.
  4. Invest in academic advising so that your first-year majors or pre-majors have undergraduate plans of study before their sophomore year. Advising takes time but is the most effective way to ensure that classes have sufficient and/or optimal enrollment.
  5. Encourage innovation in existing rather than in new or experimental courses. That may allow you to cut those early adopter stand-alone convergence courses or new media sequences whose methods by now are being duplicated in other, more traditional classes.
  6. Cut or schedule less often courses with minimal enrollment or high drop rates that often indicate lack of interest in the subject matter.
  7. Use the rubrics of seminars, workshops and independent studies for timely topics or ones that may generate enough enrollments only if offered once every few years.
  8. Encourage your students to take classes in other disciplines to exceed (rather than merely meet) the accreditation minimum of 65 semester hours or 94 quarter hours in the liberal arts and sciences.
  9. Eliminate the silos of sequences and use Occam’s razor to simplify degree programs in the name of academic truth: the more courses in the catalog, the more we have to teach them.
  10. Remind faculty that curricular streamlining not only will decrease workload and save jobs in a slumping economy but also free up more time for research to meet promotion and tenure requirements.

The Next Step for Journalism Education

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Recently Jerry Ceppos, dean of the Donald W.  Reynolds School of Journalism at the University of Nevada, Reno, wrote an online post on what’s next for journalism education.

Union College

Photo Credit: Tobias Leeger

 

He mentioned that the best journalism schools will improve in the following ways:

1. Being famous for something specific.

2. Encouraging students to study additional majors and minors to gain specialization in a topic.

3. Teaching journalism students basic statistics to be used for reporting.

4. Teaching students to question news sources.

5. Encouraging long-form reporting.

6. Working with journalism professionals.

7. Pushing ethics education.

You can read the full description of each topic on his post here.

 

New Al Jazeera Show Merges TV with the Social Web

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Al Jazeera’s new TV program, The Stream, uses social media to both gather news information and interact with its viewers. The show launched online a few weeks ago and will start airing on TV May 2. The Stream uses Storify, which opened to the public this week, to gather information from across the social web to share with viewers.

The show incorporates Facebook, Twitter, YouTube and other social media elements to create a show that focuses on Middle Eastern news and technology. The show encourages its viewers to interact with them – via Twitter or Facebook – by submitting to the “Feed the Stream” box on their site.

What do you think about news shows like The Stream that incorporate social media elements into the program?

 

 

Storify Compiles News from the Social Web

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A new website that allows users to compile news from the social web just launched its public beta version. Storify allows users to compile news from across the social web using sites like YouTube, Facebook, Flickr and Twitter and then build streams of information around specific topics. Users can also add text, pictures or their own information about a topic.


The information streams can then be followed by other users or even embedded on a website. Storify is now open to public users, after being tested by news organizations like The Washington Post, NPR and PBS.

You can read a New York Times article about it here.

 

Is There a Line Between a Journalist and Blogger?

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Recently, a journalism student from NYU discussed in a Wall Street Journal article what she thought were the differences between a blogger and a journalist. She was responding, in part, to a discussion about the topic at the South by Southwest event last month.

She talks specifically about writing for the music industry and says:

.. the consensus among music writers is that bloggers dig for new talent and ‘break’ bands quickly, while journalists carefully analyze trends and interview intensely. But I think music journalism needs more people to be hybrids of the two—bloggers with journalistic instincts to do more thorough work, and journalists with their ears to the ground to take more risks with their reporting.

Although she is talking specifically about reporting and writing about music, some of the general ideas can be applied to all bloggers and journalists. So what do you think?

Are the two titles interchangeable or do they have specific characteristics?

Do students tend to blur the line between the two?

 


E-Books Will Displace Paperbacks, Hardbacks and Apps

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A blog post was recently published on PaidContent.org on how e-book sales are growing quickly and how sales of paperbacks are declining. The post says that e-book sales have been strong in niche markets (romance, travel, etc.) but are quickly expanding into all major markets.

Some of the research came from the Association of American Publishers and shows the general increase of e-book sales compared to the decline of paperback sales. You can view the post here

Do you have an e-book reader?

Would you use an e-book in a classroom?

The iPhone as a Reporting Tool

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From Lauren Rabaino on MediaBistro, April 15 - Increasingly, iPhones are becoming a credible, convenient and reliable tool for journalists –both amateur and professional– to use in the field. Mobile reporting was even the topic of a UC Berkeley Graduate School of Journalism course taught by Jeremy Rue to help journalists learn how to get the most out of reporting from a mobile device.

Will Sullivan at the Reynolds Journalism Institute at the University of Missouri also put together an incredible guide which outlines the various hardware and applications every journalist should have — definitely a recommended read.

But that’s not what I’m writing about here. Aside from the must-have apps, these are some practical tips and tricks — the dirty, simple basics for day-to-day reporting — that can help you get the most out of your iPhone as a reporting tool. Read the article

How Social Media Can Enhance Quality Journalism

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Mashable posted an article today about how social media can enhance quality journalism. Vadim Lavrusik says that although gossip stories and fluff pieces are read online at a high rate, the most shared articles are the ones about hard news. When online users share hard news stories with their friends and followers, it creates referrals for that story that would not have been there before if someone was just searching on Google.

The article goes into topics such as social search, social media optimization and social content. Towards the end, Lavrusik has this to say about social media enhancing journalism:

Journalists have always “curated” content by grabbing pieces of information and contextualizing it into a story. The difference is that social media now provides efficiency in getting that information, often through first-hand sources who are micropublishing to their social profiles.

You can read the full article here.

Do you think social media is enhancing  journalism? Why or why not?

 

Facebook More Beneficial for Journalists Than Twitter

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An article was just published on Inside Facebook comparing the benefits of Twitter and Facebook for journalists. Last week Facebook set up a page that helps journalists learn how to use the Facebook platform to promote their work. Since then, there’s been a discussion online about which platform is the most useful for journalists.

The Inside Facebook article says that promoting articles on Twitter is fast and easy, but that it doesn’t offer the same interaction that Facebook does. The article says that interacting with photos, videos and polls on Facebook eventually builds a stronger audience, even if it takes journalists a longer time to set up the post.

What do you think?

Which platform is best for journalists?

 

 

New Facebook Fanpage Just for Journalists

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Facebook has added a new fanpage specifically for journalists. The page launched on April 5 and was set up as to assist reporters in using Facebook as a resource for their reporting.

A poll on the page suggests that many journalists are looking to learn how other journalists are already using Facebook as a tool. The page already has several video interviews with journalists to get their take on how Facebook can help the journalism field. The videos include interviews with NPR, WSJ and CNET reporters, as well as Arianna Huffington and Nicholas Kristof.

You can read more about the fanpage here or view the page here.

Do you think Facebook can be used as an effective journalism tool? Leave your comment below.