Book Review – Arguing for a General Framework for Mass Media Scholarship

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Arguing for a General Framework for Mass Media Scholarship. W. James Potter. Thousand Oaks, CA: Sage, 2009. 416 pp.

James Potter has undertaken a monumental task: He sought to create a framework for the whole of mass media research.

The author, a professor in the Department of Communication at the University of California-Santa Barbara and former editor of The Journal of Broadcasting & Electronic Media, began this effort by reading and rereading the literature of the field for a decade. Then he began writing to bring what he had read into focus. This book is the ninth major revision of his first effort to make sense of the field. [Read more...]

Book Review – Humanitarian Crises and Intervention: Reassessing the Impact of Mass Media

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Humanitarian Crises and Intervention: Reassessing the Impact of Mass Media. Walter C. Soderlund, E. Donald Briggs, Kai Hildebrandt, and Abdel Salam Sidahmed. Sterling, VA: Kumarian Press, 2008. 380 pp.

In Humanitarian Crises and Intervention: Reassessing the Impact of Mass Media, Walter C. Soderlund and his colleagues in political science and communication at the University of Windsor—E. Donald Briggs, Kai Hildebrandt, and Abdel Salam Sidahmed — systematically analyze ten humanitarian crises, most in Africa, that occurred during the 1990s. The authors, political science and communication professors at the University of Windsor in Canada, provide unique insight into mass media’s role in supporting intervention during human crises.

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Book Review – The Chaos Scenario

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The Chaos Scenario: Amid the Ruins of Mass Media, the Choice for Business Is Stark: Listen or Perish. Bob Garfield. Nashville, TN: Stielstra Publishing, 2009. 306 pp.

One of the popular debates about the Internet and related digital technologies is whether they represent an evolutionary change or a revolutionary one. It is fairly easy to argue for the former position, since fundamentally all that the Internet does is to lower the cost of transmitting information. However, it is much more fun to argue for the latter view, and Bob Garfield is clearly in this second camp.

In The Chaos Scenario, Garfield uses a mix of colorful language and well-chosen examples to argue that the so-called digital revolution “isn’t just some news-magazine cover headline. It’s an actual revolution, yielding revolutionary changes, thousands or millions of victims and an entirely new way of life.” The principle implication of this shift is a fundamental undermining of most existing business models for media firms — Garfield envisions the end of traditional advertising agencies, newspapers and other traditional news organizations, and most network television programming.

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Book Review: Media, History, Society: A Cultural History of U.S. Media

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Media, History, Society: A Cultural History of U.S. Media. Janet M. Cramer. Malden, MA: Wiley-Blackwell, 2009. 296 pp. $89.95 hbk. $39.95 pbk.

The back cover of Janet Cramer’s Media, History, Society: A Cultural History of U.S. Media says that the book “offers a cultural history of media in the United States, shifting the lens of media history from media developments and evolution to a focus on changes in culture and society, and emphasizing how media shaped and were shaped by societal trends, policies, and cultural shifts.” For those of us who blend cultural studies with history in both research and teaching, this suggests an alternative to traditional approaches found in many media history texts.

Cramer’s book is organized conceptually, and is divided into four major sections: Media and Government, Media and Commerce, Media and Community, and a Conclusion, each subdivided into chapters that cover a broad span of time. For example, Media and Government begins with a discussion of the First Amendment and how it developed in response to earlier Western European ideas about monarchical control of information, then moves on to a chapter on censorship in wartime, and ends with more recent debates over free speech. Media and Commerce discusses the emergence of the market model and the Penny Press, as well as the rise of newspapers as an industry. How audiences changed in the wake of emerging broadcast technologies and entertainment media are also included here. [Read more...]